For the Love of Style
January 2008
It featured more than 80 elegant ensembles coordinated with wit and élan—a veritable feast for the eye. Just imagine a circa-1989 haute couture hot-pink jacket by Lanvin, accessorized with heavy ropes of American Indian turquoise jewelry—oversized necklaces and stacks of bangles piled on with chic abandon; an A-line coat, matching duffle bag and high boots custom-tailored in the 1960s by a Venetian contessa from woven tiger-patterned upholstery fabric; and vintage Krizia layered over a hand-embroidered Chinese Qing dynasty silk-damask court skirt embellished with a 6-foot-long Mandarin macramé necklace of cornelian and jade beads. Each statement reflected the personal style of a world traveler who has not only a discerning eye and impeccable color sense, but also a quirky flair combined with undeniable confidence.
When the curators of the Norton Museum of Art in West Palm Beach, Florida, saw the show, they raved, too. Iris and her husband, Carl, have had a home in Palm Beach for decades, so it was a natural to bring the show to this venue. Titled "Rare Bird of Fashion: The Irreverent Iris Apfel," this version displayed 82 fashion statements from her collection. The book of the same title, recently published by Thames & Hudson with vivid photographs by Eric Boman, is a must-have for those who love vintage fashion and jewelry.
Iris Apfel is an original. Now in her mid-80s, her enthusiasm and vitality remain undiminished. She is fearless when it comes to collecting, and her strength, whether in décor or clothing, is her audacious ability to mix disparate periods, styles and objects together into a gorgeous whole. She and Carl, who were married in 1948, have been business partners, traveling companions and co-acquisitors for more than 60 years; their experiences together are reflected in their homes in New York City and Palm Beach.
Their city apartment is like a Venetian jewel box decorated with collections of every kind, from Old Master prints and 19th-century European dog paintings and portraits to antique accessories including carved Italian mirrors, hand-painted French screens, Neapolitan pastori, needlepoint pillows and textiles. The most fabulous room has all the furniture pushed to one side to accommodate a part of the vast collection of clothing and accessories from which the exhibit was culled. Closets and armoires are filled with treasures; the couple also maintains warehouses filled to the brim. Musing on her perpetual shortage of space, Iris wryly comments, "My husband said he was lucky I didn’t make him sleep in a drawer."
From the time she was a child, Iris has loved beautiful things. Her grandmother was always making clothes for Iris’s mother and her many aunts, and her grandfather was a master tailor. As the first grandchild, she grew up as the focus of a close family. "I remember sitting on the floor in a hallway outside of my grandmother’s bedroom," Iris recalls. "She would take several bags filled with fabric swatches out of her closet and let me play with them. When I put together combinations that I liked, she let me take them home. I’ve been collecting fabric swatches ever since, and it’s how I started developing an eye for beauty."
Though her mother went to law school, she always loved fashion and opened her first boutique in Queens when Iris was a teenager. It was during these years, with her mother working long hours, that Iris became an independent world-class shopper. In the early days her fashion beat included names and places any New Yorker will recognize—S. Klein on Union Square and Ohrbach’s on 34th Street, all the way down to artsy Greenwich Village where Iris bought her first accessory, a 65-cent rhinestone brooch. After college, she had a series of jobs in the fashion industry, which prompted her to start an interior design business with a friend.


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