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“Glowing Autumn Forest” (detail), 2004, silk and cotton thread on gabardine. |
“This fine Vietnamese embroidery captures and communicates texture, depth and richness in a way no other art form can,” says Nguyen Van Huy, director of the Vietnam Museum of Ethnology in Hanoi and curator of “Vietnam: Journeys of Body, Mind and Spirit,” which was at New York’s American Museum of Natural History in 2003. “By partnering with photographers, La Than has developed a unique approach to a historic art form. This innovative blend of past and present represents the state of the art.”
La Than Imperial Embroidery
171 East 89th St., Studio 1-C
New York, NY 10128
www.lathanembroidery.com
Reed Black is a scholar and journalist who writes about the arts and culture of developing nations in Asia and South America.